Refiguring composition: artistic doctoral project at University of Music and Performing Arts, Vienna (since 2021). More information to come!
Until then, you can find more information here:
https://www.mdw.ac.at/ar_center/de/dissertation-projects_de/

Master thesis at KMH, Stockholm (2020):
Du har lärt mig att lyssna: En undersökning av genomsläpplighet i komposition.

Conference presentations:
Flick, Birgitta (2024). How can artistic research contribute to exploring the contact processes and relations that arise in creative situations of improvising with a notated reference or the interaction of improvising and notating? Musicians’ Perspectives on Improvisation Symposium. Exploratorium Berlin (DE).

Flick, Birgitta (2024). Circular composition experiments and the Great American Songbook: Artistically researching the relation between older repertoire and contemporary creative practices through notation. European Platform for Artistic Research in Music (EPARM). Ljubljana (SI)

Flick, Birgitta (2023). Sinnliche Wahrnehmung und leibliche Erfahrung als Grundlage für Praktiken des Komponierens und Improvisierens. 12th conference by Forschungsnetzwerk Implizites Wissen (FORIM). mdw, Vienna (AT).

Flick, Birgitta (2023). Circular compositions for saxophone solo: Following a composition’s transformations through improvisation and collaborative creating. European Platform for Artistic Research in Music (EPARM). RDAM, Copenhagen (DK).